Dorucak na travi - energizovan
Dejeuner sur l'herbe - avec l'énergie
Luncheon on the Grass - Energized
Computer Animation, Net-art, 2004
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Rad se nadovezuje i naslanja na
radove koje sam radila prethodnih godina ili cija je izrada u toku.
U pitanju je ambijentalna instalacija, sa elementima kompjuterskih
igrica (koja se igra "uzivo") i predvidjeno je da postoji
ne samo kao samostalan rad, vec i kao predlozak za sledecu fazu. Ta
druga faza predstavlja umetnicku kompjutersku video igricu (koja moze
da se igra interaktivno na televiziji, internetu ili na kompjuteru,
znaci sa CD-a) i video rad- spot koji bi se prikazivao na televiziji,
na internetu…
Prostorna instalacija je smestena u kutiju sirine 4m, visine 3m i
dubine 5m. Prednja strana kutije je otvorena i kroz taj otvor se rad
posmatra ili se u njega ulazi. Pod, plafon, levi i desni zid su oblozeni
cupavom tkaninom (kao trava) obojenom sjajnom zlatnom bojom.
Na frontalnom zidu se nalazi video bim. Unutar kutije se nalazi nekoliko
internih kamera postavljenih na zgodnim mestima koje snimaju situaciju
unutar kutije. Takodje, na pogodnim mestima, unutar kutije, postavljeni
su i reflektori koji su programirani tako da se u razlicito vreme
ukljucuju i iskljucuju i osvetljavaju zlataste povrsine proizvodeci
razlicite zlataste i sjajne svetlosne efekte. Povrsina plafona je
diskretno perforirana, u plafonskoj konstrukciji je sproveden sistem
tzv. "obrnutog vodoskoka", t.j. sproveden je sistem cevi
ispunjenih crvenom bojom koji je kompjuterski programiran tako da
sa plafona povremeno i na razlicitim mestima kaplje crvena boja i
pada na pod. Ispred ove kutije monumentalnih dimenzija, sa leve i
desne strane postavljeni su po jedan elegantni beli stocic ravnih
i neupadljivih linija. Na njima se nalaze uredno slozeni i opeglani
(tako da se vide ostre ivice), beli cisti carsavi. Ukoliko posmatrac
odluci da udje u kutiju i proseta, preporucljivo je da uzme beli carsav
i pokrije se po glavi, kako bi se zastitio od crvene boje koja kaplje
sa plafona. Carsavom moze da obrise i cipele. Po izlasku iz kutije,
posmatrac, t.j. ucesnik, ostavlja carsave u providne (elegantne, jednostavnih
linija) kutije koje se nalaze pored elegantnih stocica. Kretanje ljudi
u kutiji beleze kamere. Ono sto kamere snimaju, istovremeno se i emituje
na frontalnom zidu sa video bimom i osoba u kutiji istovremeno moze
i da se gleda, a nju mogu da gledaju osobe ispred kutije. Ukoliko
niko nije u kutiji, na video bimu se emituju kompjuterska animacija
kutije sa zlatnim zidovima, snimci prethodnih posetilaca. U kutiji
(ili izvan nje), na adekvatnom mestu, smestena je i tehnika za emitovanje
video materijala.
Ova kutija moze biti smestena u izlagackom prostoru, ali moze biti
smestena i u neki poseban pogodan prostor koji vec sam po sebi lici
na kutiju. U tom slucaju se ne bi kutija izradjivala posebno, vec
bi se samo oblagale povrsine i sprovodile potrebne montazno-demontazne
instalacije i tehnika.
This project is installation-ambience, combined with
elements from computer games (in this case computer game is real, played
in real time and space, by real people). The project is monumental,
but it is not final, this is only the first part of more complex project,
interactive art computer game that can be played on TV, Internet or
computer. The project also consist of art video and video clip that
is going to be presented on TV, internet…The first part of the
project, installation-ambience, combined with elements from the real
computer game, will be presented on exhibition.
TECHNICAL DETAILS:
· The work is in the box, which size is: width 4m, high 3m, and
depth 5m. Something like room or stage.
· The outside front of the box is open and the work can be observed
from this side. Visitor can enter the box from this side.
· The ceiling, floor, left and right side of the box is covered
with hairy material (like grass), painted in shiny and reflective gold
paint.
· There is a video bim placed on inside frontal wall of the box
(the wall opposite from the opened front side of the box). The size
of video bim is 4m/ 3m.
· There are several cameras placed at adequate spots inside the
box covering and recording each part of the box.
· There is a special designed and programmed artificial light
(stage reflectors). The variations and modifications of the reflectors'
light turning on and off produces variable light reflection, shiny and
golden special effects.
· There is discreet perforation on the ceiling and special tubular
system of some kind of "inverse waterfall" is installed inside
the ceiling construction. The system is digitally programmed to make
the liquid red paint circulate through the system, and from time to
time, making small drops of the red paint to drop on the floor through
the ceiling perforation.
· There are two elegant, flat white small tables in front of
the box, one on the left side, and another on the right side. There
is a shipshape pile of white tidily flat-ironed tablecloths on each
table. If the visitor decides to enter into the box and take a walk,
it is recommended to take tablecloth for protection from the red paint
drops or for cleaning the shoes after leaving the box. After visitor
gets out the box, tablecloths are left at the elegant, transparent,
flat, small junk boxes.
· Cameras record people in the box so both people in and in front
of the box can see these scenes simultaneously on video bim (placed
on the inside front wall of the box). Computer animation of the shining
golden box or video coverage of the previous visits is presented on
video bim if there are no visitors in the box at the particular moment.
Adequate technical equipment is installed inside or outside the box.
· The monumental box can be installed at the exhibiting place
or at another special place (room) apart the exhibiting place. In that
case, there may not be necessary to build the total construction of
the box, but only to cover the walls, floor and ceiling surfaces and
install necessary installation and technique.
This project also participated in:
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